Avihpsam

Nandanik Annual Program

Nandanik Annual Program

Nandanik, an initiative by Avihpsam, a not-for-profit public trust, is dedicated to genuine exploration of knowledge across various facets, including the realm of Music. As a reflection of this dedication, we extended our passion to the world through the organization of our Annual Musical program on December 17, 2022, in Sodepur, Madhyamgram. Nandanik, functioning as a musical tutorial, arranged this program with the participation of distinguished personalities while also providing a platform for newcomers to encourage and endorse their artistic growth. At 4:00 PM, the enchanting musical journey started with the illumination of a lamp a heartfelt gesture of reverence to Goddess Saraswati, beseeching for her nurturing and motherly guidance. The commencement was marked by the sacred recitation of Vedic mantras, setting the tone for the event.

As 4:10 PM, the musical journey commenced with a collective opening of the melodious voices of Debtanu, Rajanya, Adrija, Srinanda, Ahana, Anushka, and Debadrita. They filled the auditorium with the soul-stirring rendition of "Aguner Porosh Moni" by the revered Rabindranath Tagore. This was followed by the melodic "Bolo Bolo Bolo Sobe," a composition penned by the esteemed Atul Prasad Sen. A select group of Nandanik members researched into the diverse use of 'Rain' in Indian melodies, exploring its significance in various contexts such as expression in Baul music, as expression of resurrection, or portraying a sense of restlessness.

4.10 P.M

At 4:20 PM, the culmination of this research manifested in three distinct songs, skillfully presented by Pradip Basu (Tabla), Rajib Chakraborty (Tabla), and vocalists Bidisha, Swapna, Mitali, Lekha, and Kuhu, and in Key-board Tapas Kr. Das, in Octapad Jayanta Kr. Das. These performances illuminated the profound connection between nature's elements and musical expressions, showcasing the rich depth of Indian musical traditions.

4.20 P.M

At 4:40 PM, Nandanik humbly extended its heartfelt gratitude and deep respect to the unwavering commitment to relentless practice of each participant. In this spirit, the stage was graced by the presence of Dilip Bannerjee, who filled the auditorium with the entrancing melody of Raag Malkosh. His masterful performance not only illuminated his dedication to the art form but also served as an inspiring example for the entire audience, encouraging those with a passion for music to wholeheartedly pursue their own musical journeys. Avihpsam has drawn inspiration from diverse songs and Ragas that lead to the creation of something novel and splendid. As a direct outcome of this diligent research, Rahi, Aradhya, Aishani, Ranindita, Aana, Udita, and Saptarshi presented songs which beautifully melded the elements of Nazrul Geeti, Rabindra Sangeet, and Irish folk songs. This fusion showcased the organization's innovative approach and artistic prowess, resulting in a harmonious blend.

4.40 P.M

At 5:25 PM, Avihpsam took immense pride in presenting 'Madol' songs performed by the accomplished group "Ma-dol." The mothers leading this segment of the event, namely Mondira, Joyita, Sonali, Debomita, Saswati, and Modhumita, graced the stage with their inspiring performances. Their songs were centered around the melodies of the Rarh region, characterized by the enchanting Bokul flower, as well as the soulful Bhadu songs, resonating with the essence of the Keya flower. Their presentation not only showcased their timeless artistry but also paid homage to the cultural richness and diversity of the region.

5.25 P.M

At 6:15 PM, the Chairman of Avihpsam, Prof. Pradeep Kumar Majumdar, took the stage to extend his congratulations and present awards to the accomplished students of Nandanik Bhawan. His inspiring speech resonated deeply, influencing not only the students but also inspiring others to contribute positively to society. Following his impactful address, the audience was treated to three exquisite musical renditions in the enchanting Yamal raga. The melodious voices of Namrata, Krijita, and Smarak helped the listeners to embark upon a mesmerizing musical journey. Aligned with Avihpsam's vision, the personalities from Nandanik Bhawan presented an innovative endeavor titled "Musical Source Discovery." This unique initiative aimed to bridge the gap between the music of the 60s and 70s and today's contemporary songs, seeking to establish connections and unravel the underlying relations between the two eras. By crafting this platform, the goal was to foster a deeper appreciation for the evolution of music across time and inspire a fresh perspective on the musical journey. To complete this endeavor, Namrata, Krijita, Smaraklipi, Rishita, Sawrja, and Saptadwip dedicated themselves wholeheartedly, delivering their performances flawlessly.

6.15 P.M

At 7:50 PM, the final impactful session drew to a close, leaving the auditorium reverberated with successive melodious explorations of Tabla and Banshi. The collaborative artistry of Sagnik, Jyotirmoy, and Ishan on the Tabla resonated throughout the venue. Subsequently, when the melodious notes of the Indian Banshi from Sanjay Mitra were skillfully mingled with the impactful voice of Sangeeta Sengupta, the offering to Goddess Saraswati felt truly fulfilling. These presentations form the Nandanik Bhawan of Avihpsam not only showcased the unwavering dedication and research work but also paid homage to the cultural richness and diversity of the various region.

7.50 P.M